Brad Rose e la sua etichetta Digitalis stanno ridisegnando il concetto di elettronica, tra psichedelia e avant-techno. Charlatan, Mass Ornament, Ricardo Donoso, Birch Cooper: la rivoluzione analogica parte da Tulsa.
[slideshow_deploy id=’8715′]00’00” – 00’07”: Sigla Bruit Lab
00’04” – 02’35”: Raica – Groop (excerpt)
da “Treh” (2013, Digitalis)
02’06” – 05’53”: Ricardo Donoso – Chemical Structures (excerpt)
da “Assimilating The Shadows” (2012, Digitalis)
05’21” – 09’06”: Birch Cooper – “I Was A Teacher” (excerpt)
da “I Was A Teacher” (2012, Digitalis)
08’52” – 13’02”: Wizard Of – Face I (excerpt)
da “Face/Skeleton” (2014, Digitalis)
12’42” – 15’55”: Charlatan – Angel Nexus (excerpt)
da “Night Circus” (2013, Digitalis)
15’26” – 20’00”: Best Available Technology – Cracked Oceans (excerpt)
da “Vv.Aa. – Isolatarium (Book)” (2013, Digitalis)
19’36” – 23’22”: Mass Ornament – My Child Burden (excerpt)
da “Saturn Eye” (2014, Digitalis)
22’46” – 26’01”: ‹ – Side A (excerpt)
da “Great Dose Of Monotonous Techno” (2013, Digitalis)
25’33” – 30’00”: Ossining – Mirror Warmer (excerpt)
da “I Will Be Missed” (2010, Digitalis)
